
"We believe in challenging the gatekeepers of knowledge and platforming unheard voices through the arts."
Who we are
Hafsah Aneela Bashir and Nikki Mailer, two kindred spirits with different arts practices, became friends in 2015 and set up Outside the Frame Arts collective because they both felt there were many valuable voices absent from the mainstream.
They had a strong desire to create an arts collective that dovetailed arts and activism, something they are both passionate about. Hafsah’s Muslim background and Nikki’s Jewish background informed their experiences both creatively and politically. Their love of collaboration and a strong pull to continue the work and its positive impact inspired them to form projects together.
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​Their first project started with Nikki, a theatre practitioner, wanting to bring to life a new anthology of plays written by Palestinian playwrights. She approached Hafsah and they collaborated on their first project “Platform For Palestinian Arts” in 2016, and this was the catalyst from which Outside The Frame Arts was born…
Our Mission
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We are a theatre/arts collective led by strong women with a passion for dovetailing arts and activism.
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We believe in challenging the gatekeepers of knowledge and platforming unheard voices through the arts.
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We aim to create original theatre that is provocative and innovative in order to start conversations and generate new ways of thinking.
We deliver theatre and creative writing workshops working mainly with (but not limited to) People of the Global Majority (Black, Asian, Minority, Ethnic communities/People of Colour).
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We are inspired by theatre/arts that connect with the heart rather than the intellect, art that awakens the sleepers and we are passionate about creating high quality theatre that changes the landscape of mainstream arts.
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Our work is driven by anti-racism and challenging the inherently white spaces in the arts.​​​
Projects
Founders

NIKKI MAILER
DIRECTOR
Nikki Mailer has been an applied theatre practitioner and theatre maker for over 8 years. She uses theatre as a tool for positive social change. She has delivered applied theatre projects in the UK with marginalised and vulnerable people and in deprived areas. She has a Master of Arts in Applied Theatre from Manchester University and has trained with different practitioners including Augusto Boal, who founded The Theatre of the Oppressed. Her approach and vision widened considerably through projects in the US, India and South America, starting with an apprenticeship with Bread and Puppet, a politically radical theatre company in Vermont with whom she performed in shows and parades. In India she participated in theatre and development projects and activist street theatre. She also spent time developing theatre projects in a Favela in Sao Paulo, Brazil and working alongside a prison theatre company in Santiago, Chile. She currently leads a learning disabled theatre company At The Edge Theatre in Manchester.

HAFSAH ANEELA BASHIR
WRITER/PERFORMER
Hafsah Aneela Bashir is a poet and spoken word artist who holds an MA in Postcolonial Literary and Culture from the University of Leeds. Along with her personal experiences, her work with NGO’s, providing emergency supplies and medical aid to conflict zones, informs her creativity producing a form of lyrical activism. Her poetry has been published by Crocus Books in the anthology, ‘When Saira Met Sara’ bringing together Muslim and Jewish writers. She writes to raise awareness about social injustice and has a keen interest in writing as a form of resistance and liberty. She has worked with Women Asylum Seekers Together to use creative agency as a means to highlight demands for basic human rights. Also part of a writing collective called Manchester Muslim Writers, she conducts poetry workshops within the community working with young people to develop understanding of identity and empowerment. She has performed for Oxfam, RAPAR, Freedom From Torture and interfaith events and can often be found at open-mics in and around Manchester in her spare time. She was a recipient of Manchester International Festival Jerwood Fellowship 2017. She wrote and performed in the Memories of Partition project performed at The Royal Exchange and in the community. Hafsah is currently on a Regional Theatre Young Directors Scheme, an Artistic Directors Leadership programme for Black Asian Minority Ethnic (BAME) theatre makers.







